Album: Fifteen Counts Of Arson
Year: 1997
Genre: Hardcore Punk / Metal
Previous to that glorious mail day, I’d never heard of His Hero Is Gone. Being on Prank Records, I had a slight preconceived notion about what I was going to get hit with, but never did I expect the sonic bomb that was dropped on me. A band that plays short, virulent blasts of hardcore with a sound blueprint built by Entombed? Sign me the fuck up! HHIG was a special band. Although the fusion of crusty punk and doom-ridden sludge is commonplace now, it definitely was not in 1997. The 90s saw hardcore bands adopt much weightier and more distressing sounds. Hardcore was no longer a “rah-rah” stepchild of punk and bands like Youth Of Today were in the rearview mirror for labels like Victory, New Age, Trustkill and Eulogy. Just like the crossover scene in the 80s, hardcore was once again associated with metal, whether either fanbase liked it or not. If it were not for the clothing and lyrics, bands like Ire, Unbroken, Cave In, Zao, Bloodlet and Vision Of Disorder could’ve easily fit in with even the most discerning metalheads.
His Hero Is Gone took
everything an enormous step further as they ventured to make an unsettling,
long, ugly album; in which they were very successful. Why do I mention the length? Not too many bands of this nature write
35-minute records. I believe HHIG had
the intention of beating every last breath out of the listener by the time the
record hit the final groove. At least
that’s how I feel even when I listen to it now.
So much is packed into each of these songs, but it’s so overloaded with HM-2-sounding distortion and furious mood swings that the intricacies are easy to miss. There
is melody happening deep down, and if you listen closely, you can hear where
Tragedy came from later in their career.
It was original for its era and still holds up extremely well today
against bands that have taken influence from His Hero and run with it. Simply put, fans of hardcore punk, death
metal, grindcore, crust, powerviolence and so on, if you don’t already own this
album, you’ve been depriving yourself for too long. Do yourself a favor and seek out the Tragedy
catalog while you’re at it. You won’t
be disappointed.
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