Album: “Grayling” - Cassette (1996)
"Shortstop/Situation/Any Luck At All" – 7” (1997)
"Symtoms" - Cassette (1998)
“Grayling” – CD (1999)
"The Time Was Now" CD (2001)
Year: 1994-2001
Genre: Indie / Alternative
Since the early 80s, Detroit
has had an extensive history of bands that wander between the genres of new
wave, power pop, indie, alternative and the more tranquilized side of punk rock. Bands such as Toby Redd, Orange Roughies, Beer
On The Penguin, Junk Monkeys, Crossed Wire, Majesty Crush, The Happy Accidents,
Focke Wolf 190, Hoarse, and The Fags proudly waved this flag that is now
adorned by bands like Bars Of Gold and Break Anchor. Although, I have great adoration for the
widespread talent of the past and present, I still believe mid 90s unit
Grayling stands above them all. Since
I’m bestowing this honor upon them, I’m not going to refer to one particular
release, but rather their existence and output as a whole.
The driving force behind the excellence of Grayling was
songwriting. They bore a fearless singer-songwriter quality tightly wrapped up
in creative, independent music. This was not a band that utilized flash or
grandiose compositions to mesmerize listeners.
They kept everything uncomplicated and to the point, realizing that simplicity
was the key; a lesson taught to everyone by the likes of Bob Dylan, The Beatles
and Nirvana. Grayling used a variety of styles and dynamics, flowing to and
from jangly indie rock…to an all out wall of sound…to catchy power pop…even to
chaotic noise rock. It sounds complex,
but they made it seem effortless and developed a pleasingly accessible
sound. It’s the perfect sonic
foundation for the memorable, heartfelt, and genuine delivery of the melodies
and words.
While being neither blatant nor extreme, they possessed an intangible
quality of connecting with people on a level that is relatable and often times
jarring. Lyrically, the band comes from wide
range of angles that fit nicely between anecdotal storytelling and introspective
narratives involving harrowing, to just downright annoying, issues and
situations that haunt and pester typical, everyday people. The primary subjects of disappointment, self
doubt and the desire to escape the banal aspects of life are tackled with a
sincerity that makes you think, “I’ve felt exactly like that myself.” They also sang of stories that almost fall
into an Americana ethos with presumably
fictional tales of skipping town, dreams of better days, trials, travails, and
people you just don’t want to meet.
I’ve always thought Grayling had “that thing” to continue gaining
a wider audience beyond the local confines of the Metro Detroit Area. I easily could have seen them ending up on some
of the better labels of that era, such as Sub Pop, Matador, or Touch and Go. More people deserved to hear these guys. But, as they often proclaimed themselves,
life doesn’t always work the way you believe it should. As the lyric in the title track of their
final release The Time Was Now says, “So I found me a band but we could not
stand each other, but we sounded alright.
We were getting gigs and found a place to play all through the
night. Things went bad just when we
finally had a good deal to sign. That’s
what you get when you know you’re all weird and pretend everything is fine.” Unfortunately, it came true, and Grayling
stopped putting out music around 2001. I
highly encourage everyone to claw through bins at music stores everywhere to
find anything that might still be hanging around by this wonderful band. Pretty sure you'll be glad you did.
Listen to "The Time Was Now" here.
Listen to "The Time Was Now" here.
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